ROBERT STRANGE - ENGRAVER AND JACOBITE SOLDIER (KIRKWALL, ORKNEY 1721-1792 LONDON)
Robert was born and educated on Mainland Orkney. He was 12 when his father, David passed. As a consequence Robert was sent to Edinburgh to work in a legal firm with his older half brother, William. Subsequently he was apprenticed for six years until he turned 20 in 1741 to Richard Cooper, Edinburgh's leading engraver.
Robert then set up his own Engraving business in Edinburgh. At the age of 22 he met his future wife Isabella Lumisden. Isabella and her brother Andrew Lumisden had strong Jacobite sympathies. (See our unique portrait of Andrew Lumisden below)
Robert, Isabella and Andrew were present in the town when Prince Charles' Jacobite forces captured Edinburgh in September 1745 and set up Court in Holyroodhouse. Isabella insisted that Robert join the Prince's army and it seems he joined Lord Elcho's Lifeguards cavalry troop.
Elcho's Lifeguards were present at all three Scottish battles of Prestonpans, Falkirk Muir and Culloden.
After Culloden Robert stayed in Edinburgh where he painted and sold miniatures of the Jacobite leaders he had known during the Rising. In 1748 he moved to Rouen in France and met up with his brother in law, Andrew Lumisden. By 1750 both Robert and Andrew then moved to Paris.
While living in Paris Robert developed his skills by studying line-engraving under master Jacques-Philippe Le Bas. He returned to England for a few years however, by 1760 he decided to go to Italy and he visited the cities associated with many of the greatest Masters. After his return to Britain Robert obtained access to the Royal Art collection that allowed him to produce engravings of some of these paintings. After gaining Royal patronage he was knighted by George III in 1787.
Perhaps Roberts best known work is a 3/4 length engraving of Prince Charles Edward Stuart. It is thought that Robert worked on this image while he was staying in Stewart's Close in Edinburgh's old town during the Jacobite occupation of the town during October 1745.
The museum collection has this large high quality oil on canvas painting of the engraving. While Robert did paint some miniatures he is not known to have painted larger portraits so he is perhaps unlikely to have painted this portrait.
It is known that this painting formed part of the Walpole Collection of Stuart portraiture that hung in Heckfield Place, a large early eighteenth century country estate. The collection has been described as extraorinary due to the large number of high quality portraits that comprised the collection. Most of these portraits were sold off in the 1960s to support the estate and many of them have ended up in the Nation's art galleries.
Added 19 October 2023